16 visual essays in the tradition of Aperture — arguments about photography, not descriptions of it.
After Picasso The camera watches the watchers while Cubism watches back 2 min read
Dark Studio When the eyes refuse, the face becomes sculpture 2 min read
Desert Machines The playa does not frame objects — it interrogates them 3 min read
Earth Inventory What the price tag knows that the museum label suppresses 2 min read
Machines in the Desert Function ends where the desert begins; form begins there too 3 min read
Material Studies When utility fails, the manufactured world becomes geological 3 min read
Paris, First Light The city is most legible when no one is reading it 2 min read
People I Know The portrait series as duration: knowing a face across light and time 3 min read
Objects at Bombay Beach The alkaline ground does not contextualize — it indicts 3 min read
Salt and Ruin The coroner's inventory: what remains when water and people leave 3 min read
Sonoran Cathedral A biological system photographed at the scale of centuries 2 min read
Strange Rules — Opening The act of looking at art, refracted through the act of looking at people 2 min read
The Inward Gaze Proximity does not equal access; the closer the frame, the less the face yields 3 min read
The Inward Gaze The face that refuses to be read is still being read 3 min read
The Uncanny Face The face as construction: silicon, pixel, glass, skin 2 min read
Two Bodies Two instruments, one subject: the camera as the first interpretation 2 min read
